WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

THE TEMPORARY INSTITUTE
Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

In collaboration with David Helbich and Paul Craenen


When the Temporary Institute was founded on the 14th of October 2006, a question was raised: What kind of infrastructure would be most suitable for an institute that is by definition temporary? How would this infrastructure demarcate itself from, and still be within the pre-existing architecture of its host institution? Constituted of 127 lines, 255 hooks and 1800m of rope in PE-elastic, a GRID was conceived that divided the space of Nadine into the 152 rooms of The Temporary Institute. This massive undertaking resulted in a fragile but monumental form: a three dimensional sketch of an imaginary building. Seen as an interiorized building, the equal sized rooms of the Institute propose, impose and absorb different kinds of programs.

The spatialisation of the Institute took a clear position toward its initial subject matter: For an organization that would deal principally with movement, an architectural solution was proposed in which there is no circulation space but only room(s) - an architecture that is explicitly obstructive towards ‘free’ movement. In the same logic that the force of the wind is measured by how much resistance it offers, the GRID would try to understand the circulation of movement in a public space by opposing it.

www.nadine.be