WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

TSUNAMI MONUMENT
Monument for the victims of the tsunami / Architectural Competition / 2006

The tsunami monument proposes a path that crosses two outdoor rooms. Arriving on the site, after a short walk the visitors take a rest in the first room, a square that is cut out of the surrounding forest (20 by 20 meters) and outlined by trees. The square consists of a concrete surface that is cast in such a way that it takes on the topography of the landscape, like a solid blanket that is spread over the rocks. Because of the sloping inclination of the site, the visitors can easily sit down. One side of the square opens partly onto the water, giving them a view of the second room.  When visitors move on they reach a small port to the north where they can take a boat that brings them to the second room, a square void in the water of 20 by 20 meters and 5 meters deep. The walls of the room are of rusted steal that change in color and texture through oxidation. The walls are in contrast with an immaculate mirroring floor that almost gives the visitors the feeling of walking on the sky. Chairs are scattered over the room giving visitors the possibility to sit where they chose.