WOONMACHINE / Installation / 2010
LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010
LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009
VIEWMASTER / Instalation-performance / 2007-2009
CUBE / temporary projection space on “Mont des Arts” Brussels / 2008
MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007
BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007
MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007
TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006
IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006
ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005
MIRRORING THE CITY / Proposition for an urban installation / 2005
RE-AXIS / Installation at Kunsfort near Haarlem / 2005
BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004
MONUMENTS OF SUBVERSION / Notes on the border square story / 2004
EU is not USA / Essay on the inevitable unclarity of the European Union / 2003
MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003
YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001
In collaboration with Lieven de Boeck
In Room with a view, a public is invited to a private apartment on the 25th floor. Expecting a spectacular view, the visitors find that the windows have instead been painted over with white acrylic completly turning the space onto itself.
The livingroom is divided into squares of 70 cm by 70 cm with wires hanging 20 cm above the floor. This grid obstructs every movement through the space and at the same time gives a new order to it, an order that defines a different (non domestic) organization of the furniture. On the table the whole setting is reproduced as a model on a scale of 1/10 in blue foam and can be used as a game board. Every object on the board and the corresponding object in the room is labeled with a number. By throwing the dice, one player / visitor indicates an object on the board. A second player / visitor must then move that object on the game board and then move the corresponding furniture through the apartment. The whole moving act obliges the rest of the public to move aside, confronting them with the grid, the furniture and the rest of the public. During the performance the two artists started playing the game but very soon the public took over. With real pleasure they threw the dice and moved the furniture around, obliging themselves and the other spectators to move through the obstructed space. The result was a sort of self-generating choreography of obstructed and obstructive movements.