WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

BORDER SQUARE 01
Story about a subversive monument / short story – graphics / 2004

Published in AS and in the journal of the Romanian pavilion at the Venice Biennale, 2007


'The initial idea for the square was surprisingly simple. The New York Times headline on January 10th 2019 described it as follows: ‘Europe brings its borders to its centre’. In the hearth of European politics (the EU neighbourhood in Brussels) a square was created, which was itself no longer part of the European Union. This is how the limits of this territory automatically became the new borders of Europe. To achieve this, the square was expelled from the European legal space at the very moment of its realisation. In practice this meant that the European parliament ratified a law that declared the zone ‘as not being subjected to European laws’. Thus the square became a sort of “juridical no-man’s-land” that at first sight seemed to be the materialisation of Europe’s outside; a sort of inverted façade.'       

[BorderSquare.pdf]