WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

MIRRORING THE CITY
Proposition for an urban installation / 2005

In 2005 transformation works on the RAC office tower in the center of Brussels were in full development. This massive building (icon of Brussel's reckless modernism) was slowly being stripped of it’s golden façade.

In “mirroring the city”, 8 glass façade panels of the building are recuperated and positioned two by two on four different sites in the city center. These golden squares of 160 cm by 160 cm in mirror glass combine a sort of noble massiveness with an almost unreal immateriality. By strategically positioning the double panes of glass in public spaces and by placing them in specific relation to each other, they transform the surrounding space, accentuating certain aspects, or bringing hidden spaces to light.