WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

RE-AXIS
Installation at Kunsfort near Haarlem / 2005

The ‘Kunstfort’ is a center for contemporary art housed in a 19th century fortress near Haarlem in the Netherlands. The building was part of Amsterdam’s defense infrastructure and was used during both world wars. It is now recognized by Unesco as a protected monument. The structure consists of a symmetrical bunker that is buried on one side and that has a long, rhythmical façade on the other. It is situated in a typical arcadian and artificial Dutch landscape. On the inside is a series of vaulted rooms, the concrete walls and ceilings of which are overwhelmingly massive.  In this building, whose material mass seems greater than the actual space it offers, I set myself the following tasks: (A) Give an expression to my stay at the Fort by confronting the residency with the monument in which I was residing. (B) Unmask the classical monument’s inability to cope with life. (C) Investigate the possibilities of a contemporary monumental language that would be the expression of (my) life rather than the representation of an existing order. In this sense to search for a monumentality that could be fragile rather than aggressive and that would dialogue with the existing context rather than imposing itself on that context. A monumentality that would propose an abstraction deduced from what is there and not one based on a transcendental idea. 

www.kunsfort.nl