WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

YEAGER AT FLIGHT
Essay on the impossibility of the nomadic position / 2001

The Fighter pilot is the perfect nomadic figure. When he is in a dogfight he perceives his surroundings as a fluid environment on which he floats like a surfer on the waves. The sun, the horizon, his relative speed, his machine, the wind, all are non-hierarchical parameters that he uses to his advantage…To avoid becoming a target he needs to stay unpredictable… therefore he can use no system nor logic… as Yeager said, as ‘when you think you are dead’.  He has to become one with his machine and the surroundings and push the envelope until he becomes ballistic. To hit his enemy he doesn’t shoot at him from a fixed position but rather flies the bullet into position…
When the Pilot is in fighting mode, he is the perfect metaphor for a ‘Deleuzian’ nomadism, which posits the nomadic figure against the state… Irony is that this pilot fights wars in the name of that same state.        

Pdf download

[As_2001_.pdf]