WOONMACHINE / Installation / 2010

LLAC: BELGIAN PAVILION VENICE / proposal for the Belgian Pavilion at the Venice Biennale / 2010

LLAC: JUVENILE DETENTION CENTER / Architecture competition / 2009

VIEWMASTER / Instalation-performance / 2007-2009

CUBE / temporary projection space on “Mont des Arts” Brussels / 2008

MULTIPLICATIONS 02 / Video-instalation at Netwerk, Aalst / 2007

BORDER SQUARE 02 / Instalation at Netwerk, Aalst / 2007

MULTIPLICATIONS 01 / Working period at Les Bains, Brussels / Video-Instalation / 2007

THE TEMPORARY INSTITUTE / Working Period at the Arts Center Nadine, Brussels / Performance-Installation / 2007

TSUNAMI MONUMENT / Monument for the victims of the tsunami / Architectural Competition / 2006

IMPOSSIBLE FIGURES / Scenography and Dramaturgy for a solo dance piece / 2006

ROOM WITH A VIEW / Installation in a private apartment on the 25th floor / 2005

MIRRORING THE CITY / Proposition for an urban installation / 2005

RE-AXIS / Installation at Kunsfort near Haarlem / 2005

BORDER SQUARE 01 / Story about a subversive monument / short story – graphics / 2004

MONUMENTS OF SUBVERSION / Notes on the border square story / 2004

EU is not USA / Essay on the inevitable unclarity of the European Union / 2003

MULTIPLE PORTRAITS / Portraits consisting of combined googled faces / presented as lightboxes / 2003

YEAGER AT FLIGHT / Essay on the impossibility of the nomadic position / 2001

MUSEUM BERLARE / Small history museum / 1998-2001

GAVER / Housing project / 1998-2004

Laurent Liefooghe Architectuur / /

VIEWMASTER
Instalation-performance / 2007-2009

Viewmaster uses an optical trick originating in nineteenth-century theatre, the so-called Pepper's Ghost illusion. The spectator looks at the stage through an invisible angled wall of glass. What he doesn’t see is that there is another space to the left of the stage. When objects or figures are illuminated in this hidden space, they are reflected onto the glass wall so that they appear as ghostly apparitions on stage. 

Viewmaster is a theater box with a double interchangeable stage. By altering the light situation either one or the other stage or a superposition of both becomes visible. It uses non-digital techniques to produce a cinematic sequence of spaces rather then images. The glass wall acts as a window, mirror and projection screen. Using sound, lighting and image, the traditional set-up of theater and cinema is duplicated and questioned. 

Viewmaster shows you a ‘real’ special effect. You know it is a trick. You can even see how the trick works and still your enchanted by its magic.


Concept-realisation: Heike Langsdorf, Ula Sickle, Laurent Liefooghe / Performance: Heike Langsdorf, Ula Sickle / Architecture: Laurent Liefooghe / Light: Hans Meijer / Sound: Pete Connelly / Set assistance: Shizuka Hariu Thanks to: Nadine, WP-Zimmer, Alexander Baervoets, v-plus, Domenico Giustino, Christoph Ragg, Monty Co-production: Rebecca September vzw, KunstWerk, Netwerk / Center for Contemporary Art, Workspace Brussels /  Support: Vlaamse Gemeenschap, Nadine, WP-Zimmer / Production: Caravan for Rebecca September